Group dancing as the evolutionary origin of rhythmic entrainment in humans
January 1st, 2022
Steven Brown
Most evolutionary models of the human capacity for rhythmic entrainment place focus on audiomotor entrainment without giving any consideration for where the rhythmic acoustic stimulus came from to begin with, whether in humans or other animals. This presents a model that unifies the sound-source and effector for entrainment via interpersonal coupling through group dancing with body percussion.
DOI: 10.1016/j.newideapsych.2021.100902
Posted byAni Cook
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Abstract/Description
An ecologically-valid approach to the evolutionary origins of rhythmic entrainment in humans has to address not one but two key issues: first, the capacity to generate acoustic rhythms, and second, the ability to entrain body movements to them. Most research in this area has ignored the first issue altogether and has instead placed all of the emphasis on motor entrainment skills per se. But this begs the question of how auditory rhythms came to be generated in the first place. I discuss evolutionary models that explicitly link the mechanisms of body entrainment to the mechanisms of sound generation. The most plausible models are those in which these processes occur interactively and mutually through group dancing, employing not only visual and haptic cues for entrainment but percussive sounds generated through body movements, most especially locomotor movements. Body percussion during movement creates a link between motor and sensory components of interpersonal entrainment.