The Mozart Effect
April 1st, 2001
Christopher F. Chabris, Kenneth M. Steele
This article critically reviews the “Mozart effect” research, arguing that short-term improvements in spatial reasoning after listening to Mozart are better explained by changes in mood and arousal rather than direct cognitive enhancement. It concludes that music’s effects are context-dependent rather than uniquely tied to Mozart.
Journal of the Royal Society of Medicine
DOI: 10.1177/014107680109400404
Posted byRiley Fitzpatrick
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Abstract/Description
In 1993 Rauscher et al.' made the surprising claim that, after listening to Mozart's sonata for two pianos (K448) for 10 minutes, normal subjects showed significantly better spatial reasoning skills than after periods of listening to relaxation instructions designed to lower blood pressure or silence. The mean spatial 1Q scores were 8 and 9 points higher after listening to the music than in the other two corditions. The enhancing effect did not extend beyond 10- 15 minutes. These results proved controversial. Some investigators were unable to reproduce the findings? * but others confirmed that listening to Mozart's sonata K448 produced a small increase in spatial-temporal performance, as measured by various tests derived from the Stanford- Binet scale such as paper-cutting and folding procedures -7 or pencil-and-paper maze tasks. However, Rauscher has stressed that the Mozart effect is limited to spatial temporal reasoning and that there is no enhancement of general intelligence; some of the negative results, she thinks, may have been due to inappropriate test procedures" So, does the Mozart effect exist? The generality of the original positive findings has been criticized on the grounds that any Mozart effect is due to 'enjoyment arousal' occasioned by this particular music and would not take place in the absence of its appreciation. This interpretation is countered by animal experiments in which separate groups of rats were exposed, in utero followed by a postpartum period of 60 days, to Mozart's piano sonata K448, to minimalist music by the composer Philip Glass, to white noise or to silence and then tested for their ability to negotiate a maze. The Mozart group completed the maze test significantly more quickly and with fewer errors (P
